On December 13th 2017 I went on with my reading.
The first photographs now seen to have abstract qualities were taken for scientific purposes, and were only later viewed for their artistic merit. In 1842, the American-British scientist John William Draper, who was active across a number of fields including photochemistry, made a series of photographs of the light-rays dispersed by a spectroscope. The resulting images were fascinating (if inadvertent) works of abstract art, making invisible scientific forces perceptible to the naked eye. In 1843, the English botanist and photographer Anna Atkins started working with a new cyanotype process now more commonly known as “blueprints”, which had been developed by the British scientist John Herschel the previous year. Atkins produced various cyanotype photograms of algae specimens, contact-printing them by placing them on the cyanotype paper and exposing them to light. The resulting images were published in Photographs of British Algae: Cyanotype Impressions (1843), the first botanical book to use photographic illustrations. The beautiful patterns created by early scientific photographers were later viewed with wonder by avant-garde artists, who saw them as presaging their own experiments in abstract photography. The idea of the cameraless image, in particular, would have a profound effect on the development of the genre across the twentieth century. “
In the evening I posted “The mummy returns“.
And 365 days later all depends on how often the place gets cleaned in one year…